Process Driven 37: Jack Lowe [Part One]

I started this Iteration on February 29th—Leap Day—and for me it was a good day, which, frankly, I really needed. In the last Iteration, I talked about how difficult 2023 was for me and in the week or so since I shared it a lot has happened. Probably the biggest thing is that I’ve started going to therapy. I’ve danced around it for a long time and I think it just got to a point where I could no longer keep pretending that everything was okay—that I was okay— and that whatever was “wrong” with me, I could either fix it or just keep pushing it down. Neither of which is true, of course.

If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at talkback@jefferysaddoris.com.

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I’m not going to bury the lede—2023 was not a great year for me, especially financially. In fact, I think it was one of the worst years I’ve had since I became a solo creative, and for the most part, it was nobody’s fault but mine. One of my favorite movies is High Fidelity (get the book here) and in it, there’s a scene where Rob (played by John Cusack) is going through a particularly frustrating time and says, “I’m sick of the sight of this place. Some days I'm afraid I'll go berserk, throw the "Country A through K" rack out on the street and go work at a Virgin Megastore and never come back.” I can definitely relate to that and it’s kind of where I was at the end of 2022. But I thought I would give it one more year to see whether I could come up with some new ideas and new work and maybe figure out a way to navigate the changing landscape of trying to eke out at least a partial living by being creative. And I know that phrase “being creative” is pretty loaded and it means different things to different people. For me, by and large it means painting, writing, and podcasting, or some combination of the three. Photography is in there somewhere too, but I’m still not really sure where.

If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I’d love to know why. Email me at talkback@jefferysaddoris.com.

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Today is February 5th and it would have been my dad’s 83rd birthday. I normally mark the day by posting a simple message like “I miss you, Dad” on Instagram or Twitter, when Twitter was still a thing and I was still on it. Today, I want to do something a little different and tell you a story. My dad could be tough and for a big part of my adolescent life, we butted heads. A lot. At one point, it got pretty bad and we actually didn’t talk for a while. It seemed like we were often at odds with one another about something, but maybe that’s just how I need to remember it. When he got sick, we got another chance to get good and let all of the things that once seemed so important just melt away. As heartbreaking as it was to see him deteriorate like he did, I really am grateful for the time that it allowed us to spend together. We managed to get to a place where we respected each other, not just as men, but as father and son. We spent a lot of time on the front porch—often in silence. We watched a lot of westerns and we talked about some of the things that went unspoken for decades. It wasn’t perfect, but it was good. I was holding his hand when he died in 2013 and while I was extraordinarily sad, when he took his last breath I was also grateful. He had fought as hard as he could for as long as he could, but now his pain was over and he could finally rest.

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A couple weeks ago, I finally bought a set of wireless mics. I had been wanting and maybe even needing a set for a long time as a way to record the random conversations I seem to have with people out in the world on any given day. I’d been looking at them for a while, but I saw a review that Curtis Judd did—who was one of my favorite audio YouTubers—and I thought, “I'm just gonna get these. They'll be fine.” I had been going back-and-forth between the Røde Wireless Go IIs and the DJI Mics and then saw these Hollylands and thought, “You know what? I'm just gonna get them. The reviews are great (but specifically because I trusted Curtis).” So I bought them and they were just packaged so well and the design of the packaging was so well thought out—and borderline meticulous—that I decided I needed to do a video about it and talk about why those kinds of details are important—at least important to me.

LINKS
My video “unboxing” of the Hollyland Lark Max mics
Hollyland Lark Max - 2-Person Wireless Microphone
Curtis Judd - Hollyland Lark Max Review

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If you’ve spent any time around me at all, you know that I have opinions—lots of them—and I have since I was a kid. Sometimes when I would offer my unsolicited thoughts on various things, my mom would respond with “Oh, there he is…my little critic.” The thing is it’s not just criticism. Not always, anyway. More often than I generally care to admit, I find myself feeling personally offended, either by the design or functionality of a product or service or by someone—whether I know them or not—who simply doesn’t do something the way I think that it should be done. And to be clear, it’s not that I think that I’m better as much as I think that the way I do certain things is. I’m not right all the time and I have no problem admitting that. But when I am and I think that you’re not, I’ll happily tell you. I think it’s something I inherited from my dad—or maybe it’s a trait of undiagnosed neurodivergence. Either way, while I think I’ve gotten better about not being so critical (at least publicly), letting go of the behavior can be a mixed bag.

LINKS
Sean Tucker
The Meaning in the Making
The Man in the Arena
Simon Sinek
Start with Why

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Well here we are again, nearing the end of one more trip around the sun and I for one cannot wait for it to be over. Christmas used to be my favorite time of year, but that was really because of my mom. She would start decorating the house around Thanksgiving, and when I say decorating, I don’t just mean putting up lights—our house looked and smelled like a Hallmark store. Yes, there were lights, but she also had all sorts of ornaments, figurines, and little holiday town squares and villages. She wrapped or swagged garland everywhere she could, displayed her favorite Christmas cards from years past, and sometimes you could barely see the actual Christmas tree because it was absolutely covered with lights, decorations, and tinsel. Lots of tinsel.

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Back in the late 70s, there was a terrific documentary on the BBC called Connections. It was hosted by historian and author James Burke and now that I think about it, I don’t remember whether I watched it on PBS or I borrowed VHS copies of it from my freshman English teacher, Mrs. Copeland who also loaned out copies of Cosmos. And to be clear, I’m talking about the Carl Sagan version, not the Neil Degrasse Tyson version. Regardless, the show was all about tracing the connections between things that on the surface share nothing in common. I found it fascinating and I think it inspired me to start looking deeper at the world around me to try to see how things might be related.

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As we get into this Iteration, I’d like to take a minute to let you know about some changes that I’m working on that will be rolling out in the coming weeks and months. Iterations will still be weekly (mostly), but I’m going to mix up the types of posts I’ll be including and treat it more like an old-school blog. For example, you may have noticed that the Blips have been getting more substantial in terms of the research I do and the number of links I include. They started out as a just few links to things that I saw or found interesting during the previous week and have been evolving into something more comprehensive and hopefully more interesting and inspiring for you. Moving forward, they’ll still be part of their own section on Substack, but I’m going to lose the word “Blip” and the number in the naming convention of the titles to alleviate any potential confusion that comes with having Blip number 47 alongside Iteration number 124. I’m also going to be adding reviews into the mix—and that could mean books, movies, music, or the tools I use (like cameras or my favorite pencils)—so file numbering will be even more unnecessary. As you might expect, they’ll also typically include some sort of backstory and lots of links for you to explore. The more “existential” essays (like last week’s Learn to Love the Process) will continue, but won’t be quite as frequent.

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Over the past few days, the photography world has been buzzing about the “global shutter” on Sony’s new flagship A9 III. I’ve listened to various YouTubers andinfluencers talk about it as if it’s the second coming. They’re saying “it’s the most remarkable camera I’ve ever used” and calling it a “a game changer,” insisting that “it will change photography forever.”  But here’s the thing: for 99% of photographers, it won’t change anything. If this is all Greek to you, let me back up a minute and briefly explain what a global shutter is—and I promise that this Iteration is not just about photography.

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They say that one of the best ways to solve a problem—at least a creative one—is actually not to think abut it. After all, how many times have you been doing something like taking a shower or going for a long walk and you find yourself having one of those eureka moments where suddenly the solution to a problem you’ve been wrestling with forever seems so clear? It happens to me a lot and it’s one of the reasons that taking walks in the forest behind our house has become a daily ritual. Trying to be present in something other than active problem solving allows our brains to continue working in the background without us trying to consciously force a solution. The act of stepping away from a problem is called the “incubation period” and it’s been studied for decades. In his book The Art of Thought, Graham Wallas proposed that the creative process is made up of four stages: Preparation (the acquisition of knowledge to some task), Incubation (the background process that occurs when conscious attention is diverted away from the task), Illumination (the moment the creative idea flashes into sight or being), and Verification (when the creative idea is subjected to evaluation)." While there have been dozens of studies documenting and validating the importance and effectiveness of the incubation period, last week I experienced another example of it firsthand.

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