Einstein’s Genius with Ron Howard
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January 17, 2025
TLDR: Neil deGrasse Tyson, comic co-host Harrison Greenbaum, and astrophysicist Janna Levin celebrate Albert Einstein's life and legacy in a podcast episode interviewing director Ron Howard.

In the fascinating podcast episode titled "Einstein's Genius with Ron Howard," Neil deGrasse Tyson leads a division of experts in a deep dive into the life and discoveries of Albert Einstein, focusing on how he revolutionized our understanding of the universe. This episode features Tyson alongside comic co-host Harrison Greenbaum and astrophysicist Janna Levin, paired with an exclusive interview with director Ron Howard.
Introduction to Einstein's Legacy
Einstein is celebrated not only for his significant scientific contributions but also for his unique personality and life experiences that shaped his theories. Ron Howard, who directed the National Geographic series Genius, explains how Einstein's complex life story and his role in shaping our understanding of physics inspired the series.
The Importance of Storytelling in Science
- Howard emphasizes the necessity of narrating Einstein’s life in an engaging manner, highlighting the many human twists and turns that marked Einstein's journey.
- He notes that this approach helps make complicated scientific ideas more digestible.
Einstein's Scientific Revolution
Janna Levin highlights how Einstein's work transitioned our understanding from classical physics, where experiences were based on observable phenomena, to a framework where principles governed the laws of physics.
Key Contributions by Einstein
- Special Theory of Relativity: Einstein proposed that measurements of time and space are relative to the observer’s frame of reference.
- Photoelectric Effect: Demonstrating that light exhibits both particle and wave characteristics, paving the way for quantum mechanics.
- Brownian Motion: Providing evidence of atoms and molecules in constant motion, affirming early atomic theories.
- Equivalence of Mass and Energy: The equation E=mc² showed a direct relationship between mass and energy, influencing multiple disciplines.
The Human Side of Genius
Howard points out the richness of Einstein's personal life. His bohemian lifestyle and relationships had a tremendous impact on his work. He faced significant societal hurdles due to his Jewish background in early 20th-century Europe, which frequently positioned him as an outsider.
Collaboration and Community
Levin insists on the importance of collaboration in science. Contrary to the myth of the isolated genius, she argues that most successful scientists thrive in communal environments. This reflects back to historical contexts, such as the collaborative centers of learning during the Golden Age of Islam.
Thought Experiments: Einstein’s Unique Approach
In conversation, Levin explains that Einstein often utilized thought experiments—hypothetical scenarios designed to challenge existing concepts and examine them in pure form, without empirical distractions.
- These thought experiments led to groundbreaking ideas about relativity and gravity, demonstrating Einstein's extraordinary ability to visualize complex problems.
The Political Dimensions of Einstein’s Life
Einstein’s political views also come into play during the discussion. Howard describes Einstein as a humanist who was drawn into politics due to his prominence and activism,
- Notably, Einstein was approached to become the first Prime Minister of Israel, reflecting how his scientific stature lent a voice to social issues.
- Ultimately, his pacifist beliefs clashed with his scientific contributions to the development of nuclear weapons during World War II, revealing the complex interplay between his scientific and ethical ideologies.
Einstein’s Lasting Impact
As the episode wraps up, Tyson articulates a crucial perspective: had Einstein never existed, someone else would have eventually discovered his theories. This argument posits that while Einstein was exceptional, scientific advancement is a collective human endeavor shaped by many minds, not just one genius.
Conclusion
The podcast episode concludes with Tyson, Howard, Levin, and Greenbaum reflecting on the broader implications of Einstein's work and his human experience. Einstein’s life serves as a conduit for discussing the intersection between science, creativity, and societal evolution, reminding us that the legacy of such a genius extends beyond measures of intellect to encompass the vast tapestry of human experience.
This enriching discussion not only celebrates Einstein's contributions but also encourages listeners to appreciate the collaborative nature of scientific discovery and the complexities of the individuals behind such groundbreaking theories.
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Hello, Star Talkiverse, Neil deGrasse Tyson here. The episode you're about to listen to has been selected from our archives and features my conversation with Opie, as Alzheimer's remember him, but he's of course director Ron Howard, as well as Jan 11. We talk all about Einstein and his genius. Check it out.
Welcome to StarTalk, your place in the universe where science and pop culture collide. StarTalk begins right now. Today's episode is all about Einstein, and we're featuring my interview with Ron Howard.
What does Ron Howard have to do with Einstein? He actually directed the first season of National Geographic's Genius Series. And if you're going to start a series about the world's geniuses, who better to do it with than Einstein? And I bumped into Ron Howard at South by Southwest in Austin, Texas. And I nabbed some quality time in conversation with him about that project.
To talk about Einstein, I know the man, I didn't know his work, but I don't know him as well as my friend and colleague, Jan 11, Jan. Welcome back to Star Talk. Thank you, it's good to be here. Yeah, so, Jan, you are Professor of Astrophysics at Barnard College and Columbia University. And you're a theorist. Yep. And you care about complicated cosmic stuff. Yeah. Like what the space time continuum is doing. I would say everything I think about has something to do with space time.
Excellent. So do all of us, though, actually, right? Where am I going for lunch? Example. And when are we going to have lunch? Let's get a cup of coffee. Where? So yeah, we all think about space time, whether or not we know it. Yeah. So thanks for you all for commentary on some of what comes out in this interview. And we've got Harrison, we mount Harrison. Welcome back. Thank you. Yeah. Excellent. The family has a connection to Einstein.
because my great grandmother's brother, Louis Lewinter, was part of the group that helped get him out of Germany to New York. So we have a letter in the family of gratitude from Einstein for helping save his wife's life. Wow, you should ensure that.
his letter about religions sold for something like $2 million recently in a few months ago. A couple of phone calls to make them. So welcome back. Yeah. And what's you wearing a shirt with? I recognize the quote that the universe is under no obligation to make sense to you. And who said that? Okay. So you wear that on my show.
I think it's funny. Aren't you wearing a quote by him? No, I'm not wearing a quote by him. No, thanks for wearing the shirt. It's one of my more important quotes out there. I'm happy to spread the love of this. It was laundry day. It was with a lot of hands. Exactly. But that shirt is apropos to this topic. Absolutely.
So much of Einstein's work doesn't make sense to anybody. It makes sense on paper, maybe, to physicists who study it, but to the rest of everyone. What the hell was he saying? So hence, the universe is under no obligation to make sense. And just to be clear, so you're a comedian and a magician. Absolutely. That doesn't make sense to my parents. So I have to play the obnoxious way. So is that why you're not married?
Okay, so I'm married a musician, and we said, okay, maybe we should just tell my parents you're a magician, and then when they find out you're a musician, they'll be so happy. When they find the truth, they'll be happy with the greater of the lower truths. Right, exactly. It's like the old Sandy Marshall joke, or Jay Marshall joke, where he, I want to grow up and be a magician, and his parents are like, you can't do both.
That's good. Very good. Very good. And you're tweeting at Harrison Comedy? Yeah. And Jenna, you're tweeting at Gen 11. Yeah. Good. Got you. You don't have to say the real version of you. That is you. Yeah. So why don't we go to our first clip? First clip of me in conversation with Ron Howard. We all know who Ron Howard was. He's OP.
from from what's the show and he did a show and I know he's a life in Hollywood and he was in the original musical the music man as the the the kid with a lisp who sang about Gary Indiana Gary Indiana
We may have played that part in middle school. Oh, he sings too. Apparently. So let's check out my interview with Ron Howard talking about Einstein.
your hand at a project of arguably the most important human being in the 20th century. And now, what, now, how did you, where did your audacity come from? To say, I got this, Einstein, Opie's got this, all right?
I'm listening. Well, I've read movie scripts about Einstein and periods of Einstein's life before. And I never felt that that was the right platform for it. It was the right outlet for it. It was always too limiting.
When this script came from a company called Odd Lot, a writer named Noah Pink did a first pilot hour. Of course, Walter's book. And we began to think about breaking it into episodes. His life was so eventful. And I have tackled some true stories now at this point in my life. And what I was excited by were all of the human twists and turns. And so I do have enough confidence in our ability as storytellers, my ability to
to sort of get the big ideas across in an accessible way. Because we're not doing your job. We are telling the story of a life, and we're trying to make it as clear and be as accurate as we can in terms of the science. But this is not the deep understanding. This is more holistic, and it's more humanistic.
And he has so many twists and turns in his life impacted by his own behavior. Turns out he was kind of a bohemian dude in a way, you know, in a thinker. He had a lot of relationships and working at a patent office because he was a bit of an outsider, you know, his Judaism and religion worked against him.
In Germany, yes. In Germany, at that time, in a serious way, he wound up being on lists. Let's get him. And so he faced all kinds of hurdles. And the surprising thing about Einstein is sort of where he kept showing up and having an impact throughout that first half or so of the 20th century. And the lasting reverberation
of what he learned and the discoveries he made. And I think as a dramatist, this is probably the most exciting thing, how close the world came on numerous occasions to sort of blocking this guy's ability to sort of offer us his insights.
Yeah, so that's a good sort of profile of the series. It's Einstein as a person, and you get to know who he is and what he does and why he mattered. And it was inspired by Walter Isaacson, Einstein, his life in his universe, I think.
Einstein's life in the universe back in 2007 was a bestselling book. So Jana, how did Einstein change our view of the world? Because up until Einstein, when I think of classical physics, it's things fall, things are heavy, there's that there, this is here. The universe was a manifestation of how it should be. How it's experienced. How our senses bring it to us. So what happened with Einstein?
One aspect of Einstein's revolution that I love the most is that he wanted to adhere to such simple principles that he was willing to throw away things that seem so experientially real, just what you're describing, in order to adhere to those principles. When you say throw away, I mean, my life experience might prevent me from thinking the way I should. So let me discard that for the moment and open up my head.
Yeah, to realize that just because this is the familiar experience we have, we are these limited creatures. You know, we know that we can't see across the entire spectrum of light. We have a very narrow band that we can see, and we discovered there's light out there and well outside with the eyes can see. We need to build in. Wait a minute, we can see visible light.
visible right? Because the sun shines, peaks in the yellow, so do our eyes. Clearly we're bound by this. We can't see x-rays and gamma rays, but they're out there and we can build other instruments. So even just the idea that the world is much better. Just to make it clear, because not everyone knows this, that these words that we use in so many different contexts, ultraviolet, infrared, x-rays, radio waves, gamma rays,
That's all light. That's all light. It's just like we cannot see, and you need special detectors and machines to use them, to generate them. And our eyes see this very narrow part of this entire electromagnetic spectrum, and we just see the red, orange, yellow, green, blue, right? Roy G. Biv. Right. So continue. Sorry. You can see when you get me very angry. Oh, yes, Mr. Hulk. Yes. OK.
So Einstein was faced with a very serious constraint, a very serious limit, which was the limit of the speed of light. And this was discovered before he was working on this, that light had a fundamental speed, that it seemed to be a fact of nature, which is very bizarre.
Super strange. I mean, the speed of a basketball is not a fact of nature, right? It can stop. It can go faster. It can go slower. Light can do none of those things. It can only go at just one precise speed. And most people are trying to say, well, that's clearly wrong, because that doesn't make any sense. Now, what is speed? Speed is distance you travel over time. And so Einstein said, I believe it. Divided by time. And Einstein said, I do think that that's right. And there were reasons why he was driven by that limit.
to force him to say, there must be something wrong with distance and time, something wrong with space and time and the way we conventionally think about it. So he put all his confidence in the speed and not in his life experience of space and time. That's right. He knew one had to go. And you could ask, why did he choose the speed of light over everything else? And that is because imagine the style experiment. I'm floating in empty space. And I don't think I'm moving.
Now, I think I'm alone. I don't see the earth. I don't see anything. I have no frame of reference. Suddenly, Bob, another astronaut, floats past me. And I said, Bob, you're moving. And I only know you're moving because you're moving past me. But Bob's experience is exactly that he's not moving. And he's floating in empty space. And he's stationary. And I floated past him.
And it was very important to Einstein. But who's right? That right? That neither of them. And obviously the answer was Bob. So precisely each other. I want to go back to where the reds hit. You know, like, you know, a car or a shopping tag. Yeah, yeah, yeah.
So he thinks about this, neither of them can be preferred. And so he believes that the speed of light is a fact of nature. And so he says they both have to measure the speed of light, even though they're moving relative to each other, which it seems impossible. And so he said, it's so important to me that neither of them be preferred, because how would you possibly choose? That I would rather suggest that they have different perceptions of space and time from each other.
And that is why, although they're measuring the same speed of light in an impossible circumstance, it's because they are not perceiving the same space and the same time.
Janet, that is the most brilliant explanation of the birth of relativity that I have ever heard. I really greatly appreciate that. I've worked on it for years, I've thought about it. We'll just spill that in your mouth. That's not spontaneous. I just had a cup of coffee and there it is. No, no, no, that is brilliant. So if I can add some punctuation to the end of that sentence, he wrapped everything else around the requirement
that they both measure the same speed of light. And in doing so, it distorts time, it distorts space, and it interferes with our classical understanding of nature, and he did that to preserve the speed of light. Exactly, so space and time are relative, but the speed of light is absolute. It could have been called the absolute theory.
If Einstein had a microphone back then, he'd drop them all. Go around the room, drop your microphone. After that. So, tell me about his famous year, 1905.
So it's this incredible year where Einstein is actually on him. And it's miraculous. The miraculous year. Einstein's technically unemployed as a physicist, although he's gamefully employed as a patent clerk. And he has what he calls the physics department, which is a perfect job. No, literally one of his professors called him a lazy dog. And Einstein said to himself, you know, when I was a student, I was no Einstein. What did I say before Einstein? No one used something like, all right, Einstein. But like, before Einstein was like, all right.
All right, Maxwell, Rutherford. So, list what he did that year. So, that year he discovered, he writes down the special theory of relativity, which we just discussed. He discusses something called the photoelectric effect, which has to do with the quantum nature of light, and it verifies that light has a quantum particle nature as well as a wave nature, which was shocking.
And Brownian motion. To the duality, the wave particle duality. Exactly. We think of light as a wave, and he showed that it actually behaves like a particle under certain circumstances. And Brownian motion was similarly about the quantum aspect of matter. So you imagine dust floating around in the sun beam in the window. That's an example of Brownian motion where the dust particle just sort of randomly moves around. And that's because there's all these quantum, these little atoms are colliding.
And then finally, after special relativity, which is actually technically a consequence of special relativity, he writes the paper of the most famous equation in modern history, which is equals MC squared, where he realizes that energy is like the time component in some sense of momentum, and it has the energy of moving in space has a kinetic energy, the energy moving in time.
has an energy, even if you're not moving in space. And that is E equals MC squared. And that's contained in the matter itself. That's right. It's like the kinetic energy of your motion in time.
Yeah, thus spotting a ton of terrible tattoos. I'm sure there's a lot of people who are eagle, I'm too scared, who does not know that that's what it makes. You can see them on Star Talk social media. Look at the good ones. And then he turned 26. And then he turned 26. Oh, the 25? Yeah. 32 and I have been eliminated from two reality shows? Is that the best thing? Oh, this was sitting in his drawer that he called the physics department in the patent office.
Let's pick up my next clip with Ron Howard talking about the Genius Series that aired on National Geographic Channel.
Again, when we think of Einstein, we don't typically think of him in the context of the scientific community. At the time, because he's so singular, but looking at the treatments for several of your episodes, you reach in to places where other scientists were famous in their own right. Actually, play a role. Einstein, met them could name a couple. Well, you'll have to help me because of a radiation.
Well, there's Wilhelm Rundgen, where he discovered x-rays. And he won the first Nobel Prize in physics. It was all timed out for when Alfred Nobel set up the foundation. And of course, then then Lenard, who taught Malayva marriage. Malayva marriage was a very influential person in his life, Einstein's first wife. Some say she might have come up with relativity herself. Well, some say that.
after living with Einstein, the relativity thing. Oh my gosh. Time got stretched. She was a great mathematician and helped him a lot with the math and was definitely there with him. And he needed collaborators. He needed people to work with and bounce ideas.
And Marie Curie is the character in this as well. Yes, for Taber, later another winner, very important factor in his life. And but Einstein was also very much a humanist. You know, unlike, say, John Nash, who was sort of focused in his world and brilliant, but troubled in other ways. And a mathematician in a beautiful mind. A mathematician in a beautiful mind. You know, Einstein, he played the violin. He loved sailing. He loved nature. He loved women. He liked the world. And he was interested.
combination right there. Violin, sailing, nature, women, the world. Yeah, oh, and then there's a video. Is there anything left after that? Then there is that physics thing. The physics, oh, boy, the physics on this slide.
So Janet, let me ask you how important is collaboration? If you're if you're if you're a lone genius, does collaboration even matter? I need my help. Yes. You know, secretly all these years. Got my back. Got my back. Always lone genius a trope that we want to be true, but never is.
I mean, it's not true for me or in my experience of other physicists. I know some very brilliant physicists. I don't know any lone geniuses. And one of the most wonderful aspects of theoretical physics is collaboration. And it's one of the things I've tried to explain to other people. Physicists don't like to be alone. I mean, there are times you need to be alone. But there's nothing more adorable than seeing physicists sit around a table. And you watch the rhythm of how they're talking. There's splirts, right? There's these energetic roar. And then they'll go, what? I think I just made it up.
what did I mean? What did I mean? Let it be a word. Can you guys edit that post in production? I'm loving the words. I'm loving it. Go.
Our engineer just looked up the definition. It's definitely not what I meant. That's even worse. I used a real word incorrectly. It does not happen often. I'm pretty good with my vocabulary. But they'll have these very energetic conversations where they're talking intensely. And then you see them just kind of go quiet. How many people, four or five people sit around together and will comfortably sit quietly for a minute.
Usually you have to talk about sports or something. Right. No, they sit quietly for minutes. And sometimes I just watch it from the other side of the room. And then somebody pops up again with the next idea that they had clearly all collectively gotten stuck on. Well, that's what happened a thousand years ago in Baghdad. A city open to travelers and traders of all different cultures and backgrounds and beliefs. And across the table, ideas were shared. Ideas were contested.
And only the best ideas rose up out of that. And over that period, you have the golden age of Islam, where great advances in mathematics and medicine and engineering. So, yeah, across the table is a major part of the progress of science. So thanks for bringing that. Absolutely. And at the black floor, it is with treasure. I think that it's not like a table of comedians, because at least that we just insult each other obsessively. And no one gets a word in.
Hi, I'm Ernie Carducci from Columbus, Ohio. I'm here with my son Ernie because we listen to Star Talk every night and support Star Talk on Patreon. This is Star Talk with Neil deGrasse Tyson.
I'll lead off with my next clip interviewing Ron Howard, and we're gonna get inside Albert Einstein's mind.
If there's a lesson as an ambitious, creative, brilliant person, what he did was he would apply this sense of logic to his life and also problems of science. And if there was a gap, he and he went, hmm, that to that, that's an assumption.
Let's dig into that assumption. And that was sort of his little superpower. She was willingness to go there. This is the power of science literacy. Not as measured by how many things you know, but how is your brain wired for inquiry? Right. How do you ask the next question? That is something that's not taught in school. So when someone exhibits it, it's like, whoa, look what that person's got. And I think
It's teachable. It requires a kind of an endurance, but somebody has to support that. You've got to keep at it. Because the answer is always not just there. It was just there. Somebody else would have had the answer. So you dig deeper. Now, fortunately, as you know, like Tesla, he was a visualist. Tesla the person. Right.
No, I'm sorry. It was a person before it was a car. Are we clear on that? Well, Tesla could visualize problems being solved, plans, materializing. And of course, Einstein was great at the thought problem. The great thought experiments. The thought experiments, yeah. In German, the Duncan. Our show is in English. Oh, sorry.
So, Janet, the thought experiment. What word was I trying to come up with there? The term? Gdankin. Gdankin experiment? Yeah, Gdankin experiment. Oh, just a Gdankin experiment. So, that's thought experiment. Yeah. I mean, people in English say Gdankin still experiment. We still do it. As an homage to Einstein, because he was German. Right, exactly. So, what is a thought experiment?
So, I thought experiment is literally when you just- I'm guessing they're cheaper than real experiment. They're significantly cheaper, you need some like food and coffee. A little caffeine. A little caffeine, you know. It's a way of challenging what you think you know and understand by eliminating all of the extraneous stuff.
So for instance, we already talked about astronauts floating in empty space. Now, I cannot do that experiment in reality. I can have astronauts floating near the Earth, but they're going to see the Earth that's confusing. So the thought experiment is to remove the reference frame. And so that confuses this argument I'm trying to make. So the thought experiment is imagine that the astronaut is floating in empty space with no frame of reference.
And then by eliminating all of the stuff that was confusing you, all of the extraneous interferences, you allow your thoughts to hone in on only the essentials. And then stuff becomes clear.
If your eyes start. He taught us this as a technique and we absolutely use it all the time. So imagine I'm standing at the event horizon and I do this. Imagine this is an eliminating. Event horizon of a black hole. Right. Event horizon of a black hole. Whatever it is, we can invent all the time experiments that we only do in our minds.
And so what that also means is you need to know enough physics to constrain the idea, but be open enough to new physics to have a new discovery emerge from that thought.
Yeah, here's a beautiful thought experiment that is due to Einstein that he called the happiest out of his life. He was thinking about gravity. And so when we think we're heavy in our chairs, we think that's gravity. Lying in bed, it feels heavy standing in an elevator heavy on our feet. He imagined, well, I'm going to do it in the elevator context. You'll feel heavy on your feet. There's something wrong with all those examples is that there's something in the way, something extraneous. The elevator, the chair, the bed. Why do I need those things to talk about gravity? Why don't you need an elevator chair in a bed? So instead, he cuts the cable.
of the elevator. And he says, imagine what would happen if you were falling freely in this elevator. It has no window, so you can't see anything outside. So before you cut the elevator, you're standing in the floor of the elevator and you never wait. If you dropped your keys, it would fall to your feet. You dropped your water bottle, it would fall to your feet. You cut the cable. Suddenly, you're floating in the elevator cab because you and the elevator are falling at the same rate.
Your keys, you let go of them, are floating in front of you. Your water bottle is floating in front of you. You would feel as though you were an astronaut in the International Space Station. In fact, you wouldn't be able to do an experiment that told you you weren't an astronaut in the International Space Station. And until, of course, the unhappy end when you hit the ground.
So he called us a happiest out of his life because he realized what you're doing in a gravitational field when it's just you in gravity is you're falling freely in the space time around.
Was no wait at all. Was no wait at all. It's weightlessness. Not headiness. So Earth is weightless in orbit around the Sun. That's right. So we're talking about how heavy is the Earth. It's just zero. Yeah. And so the astronauts at the International Space Station are doing that experiment, but just in a better way. They're falling, but they're also cruising at such a rapid rate parallel to the Earth that they always clear the horizon. They mercifully never crash into the surface of the Earth. But they are always in freefall. The International Space Station.
If they fall a mile downward, they've traveled so far along the Earth that Earth's curved downward. That's right. So they just fall. They are falling, but they never hit the Earth. They fall on a circle. And there's Einstein's second important idea, which leads to general relativity. The first is, you're just falling around the Earth. The second is, if you can fall on a circle,
Space time is curved. What you're really doing is you're falling along the natural curves in space time. And it leads him to the idea of the general theory of relativity that gravity is really curved space time.
The lesson here is Einstein was a badass. Yeah. I think we got this one. I mean, it's some beautiful stuff. It's some beautiful, beautiful sheep. Yeah. So as you don't say the tea, you don't have to believe it. Yeah. No, no bleeping it. It's some beautiful sheep. This is also something very important to happen to a Relativity class when you took it. Oh, yes. How did you know this? I Googled it. Oh, you googled it. I met my wife in Relativity. Did you know that? I did not know that. I'm a John Archibald Wheeler. That's amazing. I, of course, know your wife. Yeah. Lovely. Yeah.
And she got her PhD in mathematical physics. Amazing. And so, yeah. Does that think science then also? And so, I noticed her first in that class. That's amazing. That's amazing. Then relativity. Yes, I met her in relativity class. Yeah. So Einstein is not the only genius in the world, a good one and important to us. I'm right here. I don't know how many people remember or know that Ron Howard directed the movie A Beautiful Mind.
Which is about John Nash, the economist, tortured genius. And mathematical economists. But he got his Nobel Prize in economics for his work. So I asked Ron Howard about that. Check it out.
With Beautiful Mind, I wanted to understand what those Eureka moments were like. I talked to a university, talking to people who knew Nash. Do you know Simon Chappelle? Does that name ring you? No, no. A mathematician at NYU knew Nash a little bit. And a very colorful Hungarian professor. And he was able to explain it in very similar terms. He said, all right, look, here's the way I would describe Don Nash.
And people who love that sort of ilk. He said, if you say that scientists, elite scientists are sort of on the boundary of what's known and unknown. And we have the light and the dark. So you sort of say they're those people who are pushing the boundaries. Those are those elite scientists. He said, there are three types.
And the people on the very front, all they want to do is push the light out a little further, take what they've got, that discovery that it exists, that there's more that exists, is kind of enough for them. They don't care about application. They toss it over to their shoulder to the next sort of level of genius that says, oh, wow, I know what to do with this, turns it into something. And then he said, there's a third type, and I think this was John Nash. And if it's a war against darkness, they're paratroopers.
and they go into the dark and they come back to the light and show you what they found. So they don't leave a safe foot in a circle. No, they just go all the way in. And he said, some of them don't make it. Yeah, well, some of them don't come back. Don't come back. Right, right, right, right, right. I agree entirely with that. And the risks of putting both feet out of the circle are real, but you're right. Every now and then you need one to do that because they'll find something where there were no
No preconceived path there. Right, right, right. Because the parachute is in the breeze. Right. You don't even know where the breeze came from. Right, right. And there's a crocodile pit here. There's a pot of gold there. Yeah. And half of them bring back the pot.
So Jan, I don't know if you know, I was at Princeton while John Nash, when John Nash got to Nobel Prize, and I'd occasionally see him walking by. My office was adjacent to, in the astrophysics building there, Peyton Hall, it's called. There's a long walkway where I had a very big sweep of traffic. I could see people going back and forth. Occasionally I'd see him and he was just always just deep in
thought. And you know they're deep in thought because they're not looking where they're walking. You know, it's just kind of a the headbobs and there isn't. No, not everyone knows how to read that. It's very important that you can read that. So you respect that person is working. Yeah, they're at the office, like the brain office. And other people can walk by and they don't even know they're there. So could you do you have any way to compare one genius mind to another? Maybe Einstein to John Nash?
No, I absolutely believe that minds are unique, which is why it's frustrating that we do in science sometimes limits the pool of people we look at, or we think about, or we look at a scientist, or we think about a scientist, and also- We're restricting access to the range of genius that is out there.
That's right, and all minds are different. We do get trained, and sometimes the training's too severe. So as in that clip, the people who are more afraid to go out into the darkness, the training is so severe that you are trying to replicate one great mind with their progeny. Because they have a sense of how that works. Right, but the ones that blow us away are the ones that just are different, you know, girdle or
gay or counters mathematical examples, you know, the Einstein, the John Nash. I mean, these are people who just thought differently and, um, and it's a wonderful thing. So why, why are some sort of normal and others, they're not socially, they might say they just went crazy. They went off to depend mentally. Yeah. Whatever the proper word is. I don't know. But the point is, yeah.
We see genius manifested in all the spectrum of mental stability. And I'm just curious, do you have any insight there? Well, I have thought about this, quite a lot. Not necessarily for personal reasons. I know, yeah, of course not. These research from other people. Or my friend. Your friend. My friend was concerned. Yes. No.
I do think that it's not just the genius of the mind. It's the kind of person who has not invested primarily in their own comforts, necessarily. Their own career ambitions probably don't even consider what they do as a career.
or not even value social interaction. So that goes underdeveloped. Escalating the ranks, securing the most money. And so people who are already on that fringe and have that mind are in a kind of super precarious position and also super wonderful position. They're the ones with the opportunity to go into the complete darkness because they're going to, because they don't have the attachments to what they'll lose if they do.
you.
Yeah, so in this segment, we talk about other dimensions of Einstein, and my conversation with Ron Howard, who directed the first installment of the National Geographic's Genius series, and that first series was about Einstein. Let's check out Einstein's politics in this segment.
Do you get into his work on, you said he was a humanist? He had very strong statements about racism in America, especially. And just how people are treated. So the politics of Einstein. Well, he gets dragged into it. And during the course of his life, he became so eminent, so important. And with that controversy, especially given his religion,
But he was dragged into that. I mean, they asked him to be the first prime minister of Israel. When Israel was first birth onto the city. And he was sort of dragged kicking and screaming into it. And then at a certain point, again, I think applying that logic that he did to his personal life, that he did to his work in science, I think he felt that he was an absolute pacifist. But he believed that
You know, the bomb needed to be developed because he knew the people who were working on the problem in Germany. And he wrote the equation that enabled it in the first place, equals MC Square. That's where you get the energy out of the atom.
which he didn't work actively on the bomb largely because Hoover didn't want him to and he didn't really, I don't think, really wanted to and later fought hard along with, I don't know, a number of other eminent scientists to try to convince the government not to ever drop it on people.
Janet, tell me about Einstein and the bomb. Is that simple or is it complex? I think it's quite complex. And I think it was for so many of the originators of the ideas of quantum mechanics that went into the creation of the bomb. There's a great line in the play Copenhagen where the character Niels Bohr, who is one of the inventors of quantum mechanics, says to his wife, I don't think they thought of a way to kill people using quantum mechanics.
And of course, wow, right? Because to them it was just because to them it was just ideas, the world of ideas. They had no intention of making a weapon. It was inconceivable. And here they are under the pressure of the war and they urgently feel they need to build the bomb.
because of the implications of their other colleagues. Because their colleagues that they developed quantum mechanics with, some of them are on the other side. And so, and then they have this incredibly complicated relationship because almost all of them really pull back after the use of the bomb in the war and urge control and regulation and limitations and don't want the age bomb, the hydrogen bomb, which is much more powerful.
I weren't there some who pulled back after they saw that Germany was collapsing? Yes. Some people thought they should not have used the bombs in the war. Right, because Japan was not working on the bomb.
That's right, Germany was out of the picture. And Germany was out of the picture, so therefore the motivation, the triggering motivation to make the bomb in the first place had evaporated. That's right, that's right. And so, of course, there must be just tremendous, just complicated experiences. I mean, Oppenheimer had the line, we are destroyer of worlds, you remember exactly what the line was, when he first seized the test. We are, yeah, it's from the bugger back in time. Destroyer of worlds, yes.
I am something. I am the destroyer of wolves. Yes, I am death. I don't remember. Okay. Well, the engineer will Google it. I see him as fingers to have anyway. So I think the feelings were complicated at every stage. And of course, here we are, where we're still a species. The only species we know of on Earth that's capable of wiping itself out. Right. Right.
I don't know. I feel like the dolphins could do it if they wanted to. You can figure out some way to get rid of themselves. But they're better shepherds of their own survival. And therefore, it won't happen. They're jumping out of the water, like, oh, my God, my love is doing this. It's fascinating. Dolphins don't try to manipulate their environment to the extent that we do. And that is just fascinating difference between human beings and other intelligent species. Although a beaver is totally manipulate their environment. Yeah, that's true. Not the only ones in town. That's true. Does their technology escalate? Or is it the same as it was?
Adam Roberts. We're going to damn the whole Earth. She had this balloon filled with termites. Oh no! That's a distraction. So on this next clip with Ron Howard, he's a movie director in his later life. So I had to ask him, and I had to sneak into this topic and ask him about science and movies. Check it out.
So you combine all these factors. He's a brilliant scientist. He's got a social life. He's got a bohemian dimension to him. He's politically controversial. He shapes 20th century politics with his discoveries. And he moves in circles of the shakers and movers of the day.
Why wasn't this done decades ago? Why do we have to wait till 2017 to hear all of it? Again, I honestly think it's what's happening in television and a channel like National Geographic with everything that it stands for saying that, yes, we want you to do it. We want you to do it with authenticity. We're willing to support it and market it. And it fits what our audience needs. And it's a really exciting time.
I have a different answer. They figured out they can make money off of science. And we have good evidence of that. For example, though not this network, of course, the Big Bang Theory, though they be caricatures, you're eavesdropping on the geeky lives of people who are completely scientifically literate, and it's the number one show on television. So anyone is paying attention to that fact and saying, OK, I want to get me some science.
Yeah, yeah, plenty off of that. Well, I'll tell you, with Apollo 13, when I had the opportunity to make that movie, that was the first story that I got involved with that was based on real events. And I was mortified by it because I thought, well, I'm not going to be able to be as creative and inventive and cinematic and so forth. I'm going to be sort of locked into these facts. And at the end of the day, I found it was very, very liberating. Because when people know it's based on real events, they really lean in. It's a different kind of mindset. So you were worried, as a creative director,
that the facts would constrain your storytelling. Yes, and that it would, and that, you know, I might not be able to be as dramatic or as exciting as I want it to be, and I realize that's not the point with this kind of story. In fact, the facts are part of the entertainment value. They're part of what the mystery, that's part of the discovery. So, Jenna, do you have a favorite movie about a scientist?
Oh, that's an interesting question. I've actually been interested. There have been a few. I have to say, I got a little more interested in scientists in plays, which then we're turned into movies. We talked about Copenhagen. No, it sounds that way.
And hilariously, I... My favorite scientist is Rick and Morty. I don't know, but hilariously, I kind of hate theater. I mean, this is one of the family jokes. Like, I almost always walk out halfway through a play. Like, I am not a huge fan of theater. Like, it's really hard for me to get over the bump where I love it. So I'm sorry about that out there. I know that's bad. I think I just muddied my... I think I just watched it every... Do I have to leave? Do I have to leave? That impresses the part of me that is a performing artist. I'm so sorry. And the Jewish part, where you paid for the ticket.
So I, but I do love books and I love, I love reading and writing. And so plays just naturally came more easily to me on paper. So I was reading them. So I read proof, which is a fantastic play about math. I saw it on Broadway. Yeah, but it's a fictionalized story. Did you see it with Mary Louise Parker? Yes, I did. I just heard it was fantastic. I became latter-day friends with her. Oh, lovely. I talked about that, yes.
Um, so... It's about a woman who is a math genius, but no one knows it. And is it her father or her brother? Her father. Her father is also a math genius, but then... Everybody knows it. It gets addled later on, but no one knows it. But she keeps writing the theorems down, and they think it's his and not hers. And no one believes it could ever be her, because the dad was the genius that everyone knew. Mm-hmm. And so... It's really a terrific play. Yeah, yeah. It's brilliantly...
And that did get turned into a movie. And then another one that comes to mind is Arcadia by Tom Stoppard, which where the characters talk about chaos and complexity and iteration and computation. And it's just, and it's a multi-layered, beautiful, like really interesting. So those are, it's more about the characters I think than biopics sort of stuff. So I asked her what favorite movies and she gives me the books of plays.
My nerd level is deep. That the millions of people have read, right? You guys don't even thought it was biopic. I didn't know biopic for years. So I wondered if Ron Howard was holding anything back. Something he wasn't fully letting on about his life and his personality. Check it out.
Do you have some secret geek underbelly that is only, you're carefully letting us know about movie by movie. But in fact, you go home and you just geek man. I do look at the science times. But I skim it. This would be in Tuesday the section of the New York Times that features science. I enjoy that.
What I discovered, because by the way, my 10th grade science teacher, Mr. Dowd, would be, if he's still alive, and I kind of hope he is, he would be smirking to see me in a conversation with you. Did you mess up in his class? Did you? What did you do? What? What? What? All right. It's best here now. What did you blow up the chem lab? What happened?
What happened? There were no explosions, but I wasn't too big on dissecting the frog. Neither was the frog. I'm sure. And I couldn't quite remember the new, I don't know, nucleuses and other things at that time. And I was a little lost, but he got me through it.
No, it's really that it's the drama. I mean, through Apollo 13 and other stories, I realized that this kind of curiosity that I do have about how the world works. I'm always been fascinated by teams of people who are trying to problem-solve under a kind of duress. And I began to realize the sort of pressure
that scientists feel, I realize there's a great deal of drama, and that there's also a tremendous amount of insecurity. And I began to understand that process, and I can connect it to the creative process, because you're going into realms, you're coming to understand things that kind of can't be articulated or explained other than this notation that most people don't under, you know, can't grasp. And it's an act of creativity and discovery, and it takes a kind of bravery.
So we got to wrap this up. So Harrison, do you have any sort of deep thoughts you want to share with us about genius or creativity? Well, I do a little research into Einstein and realize his second wife was his cousin. So that blew my mind. So it turns out everybody has a little bit of a freak flag to fly, including Einstein, who married a woman who is his first and second cousin.
So I feel a little bit better about where I stay at. I didn't know there's such a flag, a freak flag, because I don't. I've been good to see those fly. Oh, I fly a video. Oh, look for them. Jenna, give us some parting thoughts.
Well, this idea of genius, I think, is really appealing to us as human beings. But it's fascinating to me to realize that if it hadn't have been Einstein, it would have been somebody. And that's really important that we remember that. And as much as he gave us lots of special things besides
just the discovery of relativity. He gave us a way of thinking about it, and that is unique to him. But I do think that there's this competition between the universe and us. And... Page match. Yeah. And I think the universe has, like, really good eyes. I'm betting on the universe on this one. Man versus the universe. I'm taking the spread.
Let me follow up on a point that you just made. Often, we see the word art and the word science conjoined. College of Arts and Sciences, so many universities, have such a place. The history of art and science, they are two sides of the same coin. But there's actually a fundamental difference between the two of them. Let's take Van Gogh's Starry Night, the painting. If he didn't paint that,
no one else ever would or ever will. If Beethoven didn't compose his Ninth Symphony, no one else in a quadrillion years would compose the Ninth Symphony. But Einstein, with all of the genius that he has manifested, if he were never born, someone or some combination of people would have come up with special theory of relativity. Not as early as he did, it would take a little time. The general theory of relativity,
which is one of the greatest achievements of the human mind, eventually someone would do that. So for me, scientific genius is not that you stand apart from everyone else. You just arrived at the bus stop sooner than others. And so really, the discovery of the universe is for us all. It's just a matter of when, more than it is a matter of who.
And that is a cosmic perspective.
You've been listening to possibly even watching this episode of Star Talk, featuring my interview with Ron Howard at South by Southwest in Austin, Texas a couple of years ago. And we were talking about Einstein. I want to thank the organizers of that conference and Ron Howard himself for giving us his time. And let me thank my co-host, Harrison, thanks for joining me. Oh, my pleasure to be here. Gotta come back. I love this. I love to do this again. Let's just keep going. Fly your freak flag whenever you want. Yeah. On Star Talk.
And you want to keep going. You don't want to ignore the end times of the show. Oh, I was going to say, I know your office is now. Oh, yeah. And Jana, you're just up the street, but you're too much of a stranger. You've got to come back more often. I'll be here. Anytime. Anytime you put that light out in the sky. Yeah, the bat lights. So thanks for coming back for this, and we'll surely tap your expertise again. I've been your host, Neil deGrasse Tyson. This has been Starbucks.
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